My work is always a ready-made... cultural, political, or social, and also it could be art - to make people re-look at what we have done, its original position, to create new possibilities.
Once I was in New York, I completely had no interest for a long time in what happened in China because I had been through so much. Seeing my father's life struggle and so many whole generations lose their potential or possibility in their lives. Just being pushed into this political struggle and the damage done not only to their lives but their relatives.
China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
We should also leave behind discrimination, because it is narrow-minded and ignorant, denies contact and warmth; and corrodes mankind's belief that we can better ourselves. The only way to avoid misunderstanding, war and bloodshed is to defend freedom of expression and to communicate with sincerity, concern and good intentions.
I have always stated I designed the stadium as a toilet seat. I don't care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
Mass production is nothing new. Weren't cathedrals built through mass production? The pyramids?... Paintings can be painted with the left hand, the right hand, someone else's hand, or many people's hands. The scale of production is irrelevant to its content.