Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.
I have a bad tendency to get rapidly bored with my own material, so rewriting is hard for me. I mean, I already know the story and would rather read something new.
I see the Jedi mission as giving up a normal life in exchange for protecting the innocent. It's a life of sacrifice. There are rewards, but also a certain degree of sterility.
There's certainly more new SF available than when I started writing. That means there's also more bad SF available. Whether there is also more good is a matter for future historians of the field.
The overwhelming triumph of the international multimedia conglomerate has resulted in less diversity within the field and has made it much harder for newer writers not only to break in, but to make any kind of a living while doing so.
Growing up, I never gave a thought to being a writer. All I ever wanted to be was a traveler and explorer. Science-fiction allowed me to go places that were otherwise inaccessible, which is why I started reading it.
Getting inside the mind of a terrorist wasn't difficult at all. Even as children, human beings fabricate elaborate revenge fantasies. We're not a particular species. Check out popular video games.
If you're crazy, there's two things you can do to make yourself feel better: One is to get yourself cured. The other is to make everyone you have to deal with crazy.
Advances have fallen, generally, for everything except the biggest potential bestsellers. Given all the changes, both economic and technological, SF hasn't done too badly.
Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.
Dawn was written well before 9/11. People speak a lot today about the banality of evil, but not all evil is banal. Some of it is carefully structured and well-thought-out. That's where the real danger lies.
Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.