O, I have suffered With those that I saw suffer! a brave vessel (Who had no doubt some noble creature in her) Dashed all to pieces! O, the cry did knock Against my very heart! Poor souls, they perished!
I'll privily away; I love the people, But do not like to stage me to their eyes; Though it do well, I do not relish well Their loud applause and aves vehement, Nor do I think the man of safe discretion That does not affect it.
Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty look, repeats his words, Remembers me of his gracious parts, Stuffs out his vacant garments with his form
. . . it is impossible you should take true root but by the fair weather that you make yourself it is needful that you frame the season of your own harvest.
When daffodils begin to peer,
With heigh! the doxy, over the dale,
Why, then comes in the sweet o' the year;
For the red blood reigns in the winter's pale.
The white sheet bleaching on the hedge,
With heigh! the sweet birds, O, how they sing!
Doth set my pugging tooth on edge;
For a quart of ale is a dish for a king.
She marking them begins a wailing note And sings extemporally a woeful ditty How love makes young men thrall and old men dote How love is wise in folly, foolish-witty Her heavy anthem still concludes in woe, And still the choir of echoes answer so.
Wooing, wedding, and repenting is as a Scotch jig, a measure, and a cinque-pace: the first suit is hot and hasty like a Scotch jig--and full as fantastical; the wedding, mannerly modest, as a measure, full of state and ancientry; and then comes repentance and with his bad legs falls into the cinque-pace faster and faster, till he sink into his grave.