Now my charms are all o'erthrown,
And what strength I have's mine own,
Which is most faint: now, 'tis true,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon 'd the deceiver, dwell
In this bare island by your spell;
I must be here confined by you,
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please: now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so, that it assaults
Mercy itself, and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date . . .
Sweet Beatrice, wouldst thou come when I called thee? BEATRICE Yea, signior, and depart when you bid me. BENEDICK O, stay but till then! BEATRICE 'Then' is spoken; fare you well now... (Much Ado About Nothing)
Flesh and blood,
You, brother mine, that entertain'd ambition,
Expell'd remorse and nature, who, with Sebastian-
Whose inward pinches therefore are most strong-
Would here have kill'd your king, I do forgive thee,
Unnatural though thou art.
Music can minister to minds diseased, pluck from the memory a rooted sorrow, raze out the written troubles of the brain, and with its sweet oblivious antidote, cleanse the full bosom of all perilous stuff that weighs upon the heart.