When I draw something, I try to build some kind of history into it. Drawing an object that has a certain amount of wear and tear or rust; or a tree that is damaged. I love trying to render not just the object, but what it has been through.
A wild boar was sharpening his tusks upon the trunk of a tree in the forest when a fox came by and asked, Why are you doing that, pray? The huntsmen are not out today and there are no other dangers at hand that I can see. True, my friend, replied the Boar, but the instant my life is in danger, I shall need to use my tusks. There will be no time to sharpen them then.
The Brangwens had lived for generations on the Marsh Farm, in the meadows where the Erewash twisted sluggishly through alder trees, separating Derbyshire from Nottinghamshire.
It takes place, by and large, with the same sort of necessity as a tree brings forth fruit, and demands of the world no more than a soil on which the individual can flourish.