For I am every dead thing In whom love wrought new alchemy For his art did express A quintessence even from nothingness, From dull privations, and lean emptiness He ruined me, and I am re-begot Of absence, darkness, death; things which are not.
O YOU whom I often and silently come where you are, that I may be with you; As I walk by your side, or sit near, or remain in the same room with you, Little you know the subtle electric fire that for your sake is playing within me.
I have always laid it down as a maxim -and found it justified by experience -that a man and a woman make far better friendships than can exist between two of the same sex -but then with the condition that they never have made or are to make love to each other.
True and false fears let us refrain, Let us love nobly, and live, and add again Years and years unto years, till we attain To write threescore ; this is the second of our reign.
O Love! they die in yon rich sky, They faint on hill or field or river: Our echoes roll from soul to soul, And grow forever and forever. Blow, bugle, blow! set the wild echoes flying! And answer, echoes, answer! dying, dying, dying.
I wonder by my troth, what thou, and I Did, till we loved? were we not weaned till then? But sucked on country pleasures, childishly? Or snorted we in the seven sleepers' den?
A bizarre sensation pervades a relationship of pretense. No truth seems true. A simple morning's greeting and response appear loaded with innuendo and fraught with implications. Each nicety becomes more sterile and each withdrawal more permanent.