To me, then, true criticism consists in trying to find out the intrinsic worth of the thing itself, and not in attributing a quality to that thing. You attribute a quality to an environment, to an experience, only when you want to derive something from it, when you want to gain or to have power or happiness. Now this destroys true criticism. Your desire is perverted through attributing values, and therefore you cannot see clearly. Instead of trying to see the flower in its original and entire beauty, you look at it through coloured glasses, and therefore you can never see it as it is.
It is for homely features to keep home,- They had their name thence; coarse complexions And cheeks of sorry grain will serve to ply The sampler and to tease the huswife's wool. What need a vermeil-tinctur'd lip for that, Love-darting eyes, or tresses like the morn?
If I don't write to empty my mind, I go mad. As to that regular, uninterrupted love of writing. I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.
O Love! they die in yon rich sky, They faint on hill or field or river: Our echoes roll from soul to soul, And grow forever and forever. Blow, bugle, blow! set the wild echoes flying! And answer, echoes, answer! dying, dying, dying.
And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love - of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!