There are cases in which the blade springs, but the plant does not go on to flower. There are cases where it flowers, but no fruit is subsequently produced.
Wine has a drastic, an astringent taste. I cannot help wincing as I drink. Ascent of flowers, radiance and heat, are distilled here to a fiery, yellow liquid. Just behind my shoulder-blades some dry thing, wide-eyed, gently closes, gradually lulls itself to sleep. This is rapture. This is relief.
The music, and the banquet, and the wine-- The garlands, the rose odors, and the flowers, The sparkling eyes, and flashing ornaments-- The white arms and the raven hair--the braids, And bracelets; swan-like bosoms, and the necklace, An India in itself, yet dazzling not.
And the rose like a nymph to the bath addrest,
Which unveiled the depth of her glowing breast,
Till, fold after fold, to the fainting air,
The soul of her beauty and love lay bare.
My Faith is larger than the Hills— So when the Hills decay— My Faith must take the Purple Wheel To show the Sun the way— 'Tis first He steps upon the Vane— And then — upon the Hill— And then abroad the World He go To do His Golden Will— And if His Yellow feet should miss— The Bird would not arise— The Flowers would slumber on their Stems— No Bells have Paradise— How dare I, therefore, stint a faith On which so vast depends— Lest Firmament should fail for me— The Rivet in the Bands
Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale gessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well attir'd woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears: Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
If anyone should want to know my name, I am called Leah. And I spend all my time weaving garlands of flowers with my fair hands, t o please me when I stand before the mirror; my sister Rachel sits all the day long before her own, and never moves away. She loves to contemplate her lovely eyes; I love to use my hands to adorn myself: her joy is in reflection, mine in act.
Since brass, nor stone, nor earth, nor boundless sea,
But bad mortality o'ersways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
As a lotus flower is born in water, grows in water and rises out of water to stand above it unsoiled, so I, born in the world, raised in the world having overcome the world, live unsoiled by the world
Beauty is but a vain and doubtful good; a shining gloss that fadeth suddenly; a flower that dies when it begins to bud; a doubtful good, a gloss, a glass, a flower, lost, faded, broken, dead within an hour.
For a long time, no village girl would dress her hair or bosom with the sweetest flower from that field of death: and after many a year had come and gone, the berries growing there, were still believed to leave too deep a stain upon the hand that plucked them.
Look at this vigorous plant that lifts its head from the meadow, See how its leaves are turned to the north, as true as the magnet; This is the compass-flower, that the finger of God has planted Here in the houseless wild, to direct the traveller's journey. Over the sea-like, pathless, limitless waste of the desert, Such in the soul of man is faith.
You cannot ask which system is the better because you cannot standardize one system for the whole of the world. You cannot have one stereotyped code of morality for every country. One system may work very well in one country and very badly in another. You cannot grow a tropical flower in a cold climate.
Have you ever sat very quietly with closed eyes and watched the movement of your own thinking? Have you watched your mind working?or rather, has your mind watched itself in operation, just to see what your thoughts are, what your feelings are, how you look at the trees, at the flowers, at the birds, at people, how you respond to a suggestion or react to a new idea? Have you ever done this?