All play aspires to the condition of paradise...through play in all its forms...we hope to achieve a state that our larger Greco-Roman, Judeo- Christian culture has always known was lost. Where it exists, we do not know, although we always have envisioned it as a garden...always as removed, as an enclosed green place...Paradise is an ancient dream...It is a dream of ourselves as better than we are, back to what we were.
Goodbye, my almost lover. Goodbye, my hopeless dream.
I'm trying not to think about you, can't you just let me be?
So long, my luckless romance, my back is turned on you.
Should've known you'd bring me heartache.
Almost lovers always do.
Such is the way of all superstition, whether in astrology, dreams, omens, divine judgments, or the like; wherein men, having a delight in such vanities, mark the events where they are fulfilled, but where they fail, though this happen much oftener.
I don't really know what the dream role would be. That's a hard question to answer. You never really know, until you're immersed into something, how passionate you feel for it and how it unravels.
Uncompromising thought is the luxury of the closeted recluse. Untrammeled reasoning is the indulgence of the philosopher, of the dreamer of sweet dreams.
All life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other.
Thus thought I, as by night I read Of the great army of the dead, The trenches cold and damp, The starved and frozen camp,-- The wounded from the battle-plain, In dreary hospitals of pain, The cheerless corridors, The cold and stony floors. Lo! in that house of misery A lady with a lamp I see Pass through the glimmering gloom And flit from room to room. And slow, as in a dream of bliss, The speechless sufferer turns to kiss Her shadow, as it falls Upon the darkening walls.