What I learned constructive about women, not just ethics like never blame them if they pox you because somebody poxed them and lots of times they don't even know they have it — that's in the first reader for squares — is, no matter how they get, always think of them the way they were on the best day they ever had.
Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.
Bigotry is an odd thing. To be bigoted you have to be absolutely sure you are right and nothing makes that surety and righteousness like continence. Continence is the foe of heresy.
If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.
Never write about a place until you're away from it, because it gives you perspective. Immediately after you've seen something you can give a photographic description of it and make it accurate. That's good practice, but it isn't creative writing.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.