It seems to me that all of the evil in life comes from idleness, boredom, and psychic emptiness, but all of that is inevitable when you become accustomed to living at others' expense.
You are right in demanding that an artist approach his work consciously, but you are confusing two concepts: the solution of a problem and the correct formulation of a problem. Only the second is required of the artist.
Oh, I don't object, of course, to cutting wood from necessity, but why destroy the forests? The woods of Russia are trembling under the blows of the axe. Millions of trees have perished. The homes of the wild animals and birds have been desolated; the rivers are shrinking, and many beautiful landscapes are gone forever. And why? Because men are too lazy and stupid to stoop down and pick up their fuel from the ground.
Art, especially the stage, is an area where it is impossible to walk without stumbling. There are in store for you many unsuccessful days and whole unsuccessful seasons: there will be great misunderstandings and deep disappointments… you must be prepared for all this, expect it and nevertheless, stubbornly, fanatically follow your own way.
Do you know when you may concede your insignificance? Before God or, perhaps, before the intellect, beauty, or nature, but not before people. Among people, one must be conscious of one's dignity.
My mother and father are the only people on the whole planet for whom I will never begrudge a thing. Should I achieve great things, it is the work of their hands; they are splendid people and their absolute love of their children places them above the highest praise. It cloaks all of their shortcomings, shortcomings that may have resulted from a difficult life.
When a man fails to understand something he is conscious of a discord, and seeks for the cause of it not in himself, as he should, but outside himself - hence the war with what he does not understand.
[Six principles that make for a good story:] 1. Absence of lengthy verbiage of a political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality: flee the stereotype; 6. compassion.
I have no faith in our hypocritical, false, hysterical, uneducated and lazy intelligentsia when they suffer and complain: their oppression comes from within. I believe in individual people. I see salvation in discrete individuals, intellectuals and peasants, strewn hither and yon throughout Russia. They have the strength, although there are few of them.
Happiness does not await us all. One needn't be a prophet to say that there will be more grief and pain than serenity and money. That is why we must hang on to one another.
Anna Petrovna (to Shabelsky): You can't make a simple joke without an injection of venom. You are a poisonous man. Joking apart, Count, you're very poisonous. It's hideously boring to live with you. You're always grumpy, complaining, you find everyone bad, good for nothing. Tell me frankly, Count, did you ever speak well of anyone?
One can prove or refute anything at all with words. Soon people will perfect language technology to such an extent that they'll be proving with mathematical precision that twice two is seven.