I do not love thee less for what is done,
And cannot be undone. Thy very weakness
Hath brought thee nearer to me, and henceforth
My love will have a sense of pity in it,
Making it less a worship than before.
As great Pythagoras of yore,
Standing beside the blacksmith's door,
And hearing the hammers, as they smote
The anvils with a different note,
Stole from the varying tones, that hung
Vibrant on every iron tongue,
The secret of the sounding wire.
And formed the seven-chorded lyre.
I venerate old age; and I love not the man who can look without emotion upon the sunset of life, when the dusk of evening begins to gather over the watery eye, and the shadows of twilight grow broader and deeper upon the understanding.
The sun is set; and in his latest beams Yon little cloud of ashen gray and gold, Slowly upon the amber air unrolled, The falling mantle of the Prophet seems.
The history of the past is a mere puppet-show. A little man comes out and blows a little trumpet, and goes in again. You look for something new, and lo! another little man comes out, and blows another little trumpet, and goes in again. And it is all over.
But the nearer the dawn the darker the night, And by going wrong all things come right. Things have been mended that were worse, and the the worse, the nearer they are to mend.
The trees are white with dust, that o'er their sleep Wave their broad curtains in the south-wind's breath, While underneath such leafy tents they keep The long, mysterious Exodus of Death.
Truths that startled the generation in which they were first announced become in the next age the commonplaces of conversation; as the famous airs of operas which thrilled the first audiences come to be played on hand-organs in the streets.
Oh, how beautiful is the summer night, which is not night, but a sunless, yet unclouded, day, descending upon earth with dews and shadows and refreshing coolness! How beautiful the long mild twilight, which, like a silver clasp, unites today with yesterday!
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.
A coquette is a young lady of more beauty than sense, more accomplishments than learning, more charms not person than graces of mind, more admirers than friends, mole fools than wise men for attendants.