He spake of love, such love as spirits feel In worlds whose course is equable and pure; No fears to beat away, no strife to heal,- The past unsighed for, and the future sure.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, An appetite; a feeling and a love that had no need of a remoter charm by thought supplied, nor any interest Unborrowed from the eye.
On a fair prospect some have looked, And felt, as I have heard them say, As if the moving time had been A thing as steadfast as the scene On which they gazed themselves away.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn