Since every mortal power of Coleridge Was frozen at its marvellous source, The rapt one, of the godlike forehead, The heaven-eyed creature sleeps in earth: And Lamb, the frolic and the gentle, Has vanished from his lonely hearth.
I am already kindly disposed towards you. My friendship it is not in my power to give: this is a gift which no man can make, it is not in our own power: a sound and healthy friendship is the growth of time and circumstance, it will spring up and thrive like a wildflower when these favour, and when they do not, it is in vain to look for it.
The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face.
It is a beauteous evening, calm and free, The holy time is quiet as a nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the sea: Listen! the mighty being is awake, And doth with his eternal motion make A sound like thundereverlastingly.
Dust as we are, the immortal spirit grows Like harmony in music; there is a dark Inscrutable workmanship that reconciles Discordant elements, makes them cling together In one society.
Ethereal minstrel! pilgrim of the sky! Dost thou despise the earth where cares abound? Or, while the wings aspire, are heart and eye Both with thy nest upon the dewy ground?
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.