[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
By this time, like one who had set out on his way by night, and travelled through a region of smooth or idle dreams, our history now arrives on the confines, where daylight and truth meet us with a clear dawn, representing to our view, though at a far distance, true colours and shapes.
This horror will grow mild, this darkness light; Besides what hope the never-ending flight Of future days may bring, what chance, what change Worth waiting--since our present lot appears For happy though but ill, for ill not worst, If we procure not to ourselves more woe.
Implied Subjection, but requir'd with gentle sway, And by her yielded, by him best receiv'd,- Yielded with coy submission, modest pride, And sweet, reluctant, amorous delay.
And I will place within them as a guide My umpire conscience, whom if they will hear Light after light well used they shall attain, And to the end persisting, safe arrive.