[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
Is it true, O Christ in heaven, that the highest suffer the most? That the strongest wander furthest and most hopelessly are lost? That the mark of rank in nature is capacity for pain? That the anguish of the singer makes the sweetness of the strain?
In the sweat of thy face thou shalt eat bread,
Till thou return unto the ground; for thou
Out of the ground wast taken; know thy birth,
For dust thou art, and shalt to dust return.
In discourse more sweet; For eloquence the soul, song charms the sense. Others apart sat on a hill retir'd, In thoughts more elevate, and reason'd high Of providence, foreknowledge, will, and fate, Fix'd fate, free-will, foreknowledge absolute; And found no end, in wand'ring mazes lost.
The debt immense of endless gratitude, So burthensome, still paying, still to owe; Forgetful what from him I still receivd, And understood not that a grateful mind By owing owes not, but still pays, at once Indebted and dischargd; what burden then?
Extol not riches then, the toil of fools,
The wise man's cumbrance, if not snare, more apt
To slacken virtue, and abate her edge,
Than prompt her to do aught may merit praise.
A broad and ample road, whose dust is gold, And pavement stars,--as stars to thee appear Seen in the galaxy, that milky way Which nightly as a circling zone thou seest Powder'd with stars.