We fetch fire and water, run about all day among the shops and markets, and get our clothes and shoes made and mended, and are thevictims of these details, and once in a fortnight we arrive perhaps at a rational moment.
A healthy soul stands united with the Just and the True, as the magnet arranges itself with the pole, so that he stands to all beholders like a transparent object betwixt them and the sun, and whoso journeys towards the sun, journeys towards that person. He is thus the medium of the highest influence to all who are not on the same level.
The compensations of calamity are made apparent to the understanding also, after long intervals of time. A fever, a mutilation, a cruel disappointment, a loss of wealth, a loss of friends, seems at the moment unpaid loss, and unpayable. But the sure years reveal the deep remedial force that underlies all facts.
Many a profound genius, I suppose, who fills the world with fame of his exploding renowned errors, is yet everyday posed and baffled by trivial questions at his own supper table.
Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called "silent poetry," and poetry "speaking painting." The laws of each art are convertible into the laws of every other.
In our definitions, we grope after the spiritual by describing it as invisible. The true meaning of spiritual is real; that law which executes itself, which works without means, and which cannot be conceived as not existing.
Best masters for the young writer and speaker are the fault- finding brothers and sisters at home who will not spare him, but willpick and cavil, and tell the odious truth.