The great make its feel, first of all, the indifference of circumstances. They call into activity the higher perceptions, and subdue the low habits of comfort and luxury; but the higher perceptions find their objects everywhere; only the low habits need palaces and banquets.
If the gatherer gathers too-much, Nature takes out of the man what she puts into his chest; swells the estate, but kills the owner. Nature hates, monopolies and exceptions.
I have been told by persons of experience in matters of taste, that the fashions follow a law of gradation, and are never arbitrary. The new mode is always only a step onward in the same direction as the last mode; and a cultivated eye is prepared for and predicts the new fashion.
There is some reason to believe that when a man does not write his poetry it escapes by other vents through him, instead of the one vent of writing; clings to his form and manners, whilst poets have often nothing poetical about them except their verses.
The possibility of interpretation lies in the identity of the observer with the observed. Each material thing has its celestial side; has its translation, through humanity, into the spiritual and necessary sphere, where it plays a part as indestructible as any other.
It is a mischievous notion that we are come late into nature; that the world was finished a long time ago. As the world was plastic and fluid in the hands of God, so it is ever to so much of his attributes as we bring to it. To ignorance and sin, it is flint. They adapt to themselves to it as they may; but in proportion as a man has anything in him divine, the firmament flows before him and takes his signet and form.