From Washington, proverbially "the city of distances," through all its cities, states, and territories, it is a country of beginnings, of projects, of designs, and expectations.
Without the great arts which speak to the sense of beauty, a man seems to me a poor, naked, shivering creature. These are his becoming draperies, which warm and adorn him.
Do not be caught by the sensational in nature, as a coarse red-faced sunset, a garrulous waterfall, or a fifteen thousand foot mountain... avoid prettiness - the word looks much like pettiness - and there is but little difference between them.
Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called "silent poetry," and poetry "speaking painting." The laws of each art are convertible into the laws of every other.
Slavery is no scholar, no improver; it does not love the whistle of the railroad; it does not love the newspaper, the mailbag, a college, a book or a preacher who has the absurd whim of saying what he thinks; it does not increase the white population; it does not improve the soil; everything goes to decay.
There will always be in society certain persons who are mercuries of its approbation, and whose glance will at any time determinefor the curious their standing in the world. These are the chamberlains of the lesser gods. Accept their coldness as an omen of grace with the loftier deities, and allow them all their privilege.