Is all literature eavesdropping, and all art Chinese imitation? our life a custom, and our body borrowed, like a beggar’s dinner, from a hundred charities?
Nature paints the best part of a picture, carves the best parts of the statue, builds the best part of the house, and speaks the best part of the oration.
We come to our own and would make friends with matter, which the ambitious chatter of the schools would persuade us to despise. We can never part with it; the mind loves its old home: as water to our thirst, so is rock, the ground, to our eyes, and hands, and feet. It is firm water: it is cold flame: what health, what affinity!
I do not speak with any fondness but the language of coolest history, when I say that Boston commands attention as the town whichwas appointed in the destiny of nations to lead the civilization of North America.
I like to have a person's knowledge comprehend more than one class of topics, one row of shelves. I like a person who likes to see a fine barn as well as a good tragedy.
I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.
To be a star, you must shine your own light, follow your path, and don't worry about the darkness, for that is when the stars shine brightest.
Always do what you are afraid to do.
The pleasure of eloquence is in greatest part owing often to the stimulus of the occasion which produces it- - to the magic of sympathy, which exalts the feeling of each by radiating on him the feeling of all.
If speculation tends thus to a terrific unity, in which all things are absorbed, action tends directly back to diversity. The first is the course or gravitation of mind; the second is the power of nature. Nature is manifold. The unity absorbs, and melts or reduces. Nature opens and creates. These two principles reappear and interpenetrate all things, all thought; the one, the many.