The historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of literature from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.
There will come a day when you will be stronger and you will forget that person that just broke your heart. It's very hard to do that, but that's why you surround yourself with good people. Or write a song!
In old days the public didn't really mind much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws.
Every serious man in dealing with really serious subjects carefully avoids writing. ... There does not exist, nor will there ever exist, any writing of mine dealing with this subject.
After the Beatles and Dylan, there's this assumption that you are a singer-songwriter, or that if someone else is writing your rhymes, you're a fake rapper.
Hold those things that tell your history and protect them. During slavery, who was able to read or write or keep anything? The ability to have somebody to tell your story to is so important. It says: 'I was here. I may be sold tomorrow. But you know I was here.'
Why do so many ingenious theorists give fresh reasons every year for the decline of letter writing, and why do they assume, in derision of suffering humanity, that it has declined? They lament the lack of leisure, the lack of sentiment ... They talk of telegrams, and telephones, and postal cards, as if any discovery of science, any device of civilization, could eradicate from the human heart that passion for self-expression which is the impelling force of letters.
Taking the question in general, I should say, in the case of many poets, that the most important thing for them to do ... is to write as little as possible
Another strand of my writing is the importance of the idea. If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing.
For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings, and attempt to write them down, but we lose ever and anon a word, a verse, and substitute something of our own, and thus miswrite the poem.
I only can write a book every two years, you know. And I write very fast, but I'm not always writing every day. I needed a contact with different things, like nature, for example. I cannot be in front of a computer trying to tell a story.
Everyone seems to assume that the unscrupulous parts of journalism will be the frivolous or jocular parts. This is against all ethical experience. Jokes are generally honest. Complete solemnity is almost always dishonest. The writer of the snippet merely refers to a frivolous and fugitive fact in a frivolous and fugitive way. The writer of the leading article has to write about a fact he has known for 20 minutes as though he has studied it for 20 years.
There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don't want to, don't much like what you're writing, and aren't writing particularly well