What has praise and fame to do with poetry? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise, and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself- a voice answering a voice.
One objection I have heard voiced to works of this kinddealing with Texasis the amount of gore spilled across the pages. It can not be otherwise. In order to write a realistic and true history of any part of the Southwest, one must narrate such things, even at the risk of monotony.
I conceive that the right way to write a story for boys is to write so that it will not only interest boys but strongly interest any man who has ever been a boy. That immensely enlarges the audience.
Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.
The historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of literature from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.