The poet's mind is in fact a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together.
It is no worse, because I write of it. It would be no better, if I stopped my most unwilling hand. Nothing can undo it; nothing can make it otherwise than as it was.
Each genre has its own process. I'm very intuitive about poetry. I usually write first and second drafts out by hand. The other end of the spectrum is journalism, which is much more cerebral, more thought-out and planned. Fiction lies somewhere in between. I usually start intuitively but eventually I need to stop and consider structure, or research, or both.
I'm very interested in compassion - compassion for oneself and others. I write about very complicated characters and experiences and try to do it without judging the character or the action.
The mind can proceed only so far upon what it knows and can prove. There comes a point where the mind takes a higher plane of knowledge, but can never prove how it got there. All great discoveries have involved such a leap
Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.
For a writer you have to be interested in different cultures, different backgrounds. You are not there to write only about your village. You're there to show a bit of your village, but also to understand other villages.
Anyone who says the artist's field is all answers and no questions has never done any writing or had any dealings with imageryYou are confusing two concepts: answering the questions and formulating them correctly. Only the latter is required of an author.
You ought to be able to explain why you’re taking the job you’re taking, why you’re making the investment you’re making, or whatever it may be. And if it can’t stand applying pencil to paper, you’d better think it through some more. And if you can’t write an intelligent answer to those questions, don’t do it.
I conceive that the right way to write a story for boys is to write so that it will not only interest boys but strongly interest any man who has ever been a boy. That immensely enlarges the audience.
It is from the middle class that writers spring, because, it is in the middle class only that the practice of writing is as natural and habitual as hoeing a field or building a house.
I want to do wardrobe. I want to do hair. I want to do makeup. I want to do writing. I want to do directing. I want to do all of it. I like it. And I want to do producing.