If anything affects your eye, you hasten to have it removed; if anything affects your mind, you postpone the cure for a year.
[Lat., Quae laedunt oculum festinas demere; si quid
Est animum, differs curandi tempus in annum.]
One thing about this face was very strange and startling. You could not look upon it in its most cheerful mood without feeling that it had some extraordinary capacity of expressing terror. It was not on the surface. It was in no one feature that it lingered. You could not take the eyes or mouth, or lines upon the cheek, and say, if this or that were otherwise, it would not be so. Yet there it always lurked-something for ever dimly seen, but ever there, and never absent for a moment.
I think that if one is faced by inevitable destruction -- if a house is falling upon you, for instance -- one must feel a great longing to sit down, close one's eyes and wait, come what may . . .
Catherine [...] enjoyed her usual happiness with Henry Tilney, listening with sparkling eyes to everything he said; and, in finding him irresistible, becoming so herself.
To see with one's own eyes, to feel and judge without succumbing to the suggestive power of the fashion of the day, to be able to express what one has seen and felt in a snappy sentence or even in a cunningly wrought word - is that not glorious? Is it not a proper subject for congregation?
It is not good that man should be alone. ... Hitherto all things that have been named, were approved of God to be very good: loneliness is the first thing which God's eye named not good: whether it be a thing, or the want of something, I labour not.
To shut one's eyes to half of life that one may live securely is as though one blinded oneself that one might walk with more safety in a land of pit and precipice.
She bounded before me, and returned to my side, and was off again like a young greyhound; and, at first, I found plenty of entertaiment in listening to the larks singing far and near; and enjoying the sweet, warm sunshine; and watching her, my pet, and my delight, with her golden ringlets flying loose behind, and her bright cheek, as soft and pure in its bloom, as a wild rose, and her eyes radiant with cloudless pleasure. She was a happy creautre, and an angel in those those days. It is a pity she could not stay content.
One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?
To form a judgment intuitively is the privilege of few; authority and example lead the rest of the world. They see with the eyes of others, they hear with the ears of others. Therefore it is very easy to think as all the world now think; but to think as all the world will think thirty years hence is not in the power of every one.
There lives at least one being who can never change-one being who would be content to devote his whole existence to your happiness-who lives but in your eyes-who breathes but in your smiles-who bears the heavy burden of life itself only for you.
Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.