Books are to be called for and supplied on the assumption that the process of reading is not a half-sleep, but in the highest sense an exercise, a gymnastic struggle; that the reader is to do something for himself.
There's a man in the world who is never turned down, whatever he chances to stray; he gets the glad hand in the populous town, or out where the farmers makes hay; he's greeted with pleasure on deserts of sand, and deep in the aisles of the woods; wherever he goes there's a welcoming hand-he's the man who delivers the goods.
Sometimes with one I love, I fill myself with rage, for fear I effuse unreturn'd love; But now I think there is no unreturn'd love—the pay is certain, one way or another; (I loved a certain person ardently, and my love was not return'd; Yet out of that, I have written these songs.)
Whoever you are, now I place my hand upon you/ That you may be my poem/ I whisper with my lips close to your ear/ I have loved many women and men, but I love none better than you.
Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it.
The process of reading is not a half sleep, but in the highest sense, an exercise, a gymnast's struggle: that the reader is to do something for him or herself, must be on the alert, just construct indeed the poem, argument, history, metaphysical essay--the text furnishing the hints, the clue, the start, the framework.