I have often had occasion to notice how, where a direct question would fail to elicit a response, a false assumption brings instant information in the form of a contradiction.
I know nothing about pistols and revolvers, which is why I usually kill off my characters with a blunt instrument or better with poisons. Besides, poisons are neat and clean and really exciting... I do not think I could look a really ghastly mangled body in the face. It is the means that I am interested in. I do not usually describe the end, which is often a corpse.
A mother's love for her child is like nothing else in the world. It knows no law, no pity, it dares all things and crushes down remorselessly all that stands in its path.
There are some people who don't conform to the signals. An ordinary well-regulated locomotive slows down or pulls up when it sees the red light hoisted against it. Perhaps I was born color blind. When I see the red signal -- I can't help forging ahead. And in the end, you know, that spells disaster.
The amount of missing girls I've had to trace and their family and their friends always say the same thing. 'She was a bright and affectionate disposition and had no men friends'. That's never true. It's unnatural. Girls ought to have men friends. If not, then there's something wrong about them.
Many friends have said to me, 'I never know when you write your books, because I've never seen you writing, or even seen you go away to write.' I must behave rather as dogs do when they retire with a bone; they depart in a secretive manner and you do not see them again for an odd half hour. They return self-consciously with mud on their noses. I do much the same.
Ah, but life is like that! It does not permit you to arrange and order it as you will. It will not permit you to escape emotion, to live by the intellect and by reason! You cannot say, 'I will feel so much and no more.' Life, Mr. Welman, whatever else it is, is not reasonable. [Hercule Poirot]
The steamship whose machinery is broken may be brought into port and made fast to the dock. She is safe, but not sound. Repairs may last a long time. Christ designs to make us both safe and sound. Justification gives the first - safety; sanctification gives us the second - soundness.
I'm sure you have a theme: the theme of your life. You can embellish it or desecrate it, but it's your theme, and as long as you follow it, you will experience harmony and peace of mind.
There's no agony like [getting started]. You sit in a room, biting pencils, looking at a typewriter, walking about, or casting yourself down on a sofa, feeling you want to cry your head off.
No, my friend, I am not drunk. I have just been to the dentist, and need not return for another six months! Is it not the most beautiful thought? --Poirot