The Byzantines hammered away at their hard and orthodox symbols, because they could not be in a mood to believe that men could take a hint. The moderns drag out into lengths and reels of extravagance their new orthodoxy of being unorthodox, because they also cannot give a hint -- or take a hint. Yet all perfect and well-poised art is really a hint.
He has come to the most dreadful conclusion a literary man can come to, the conclusion that the ordinary view is the right one. It is only the last and wildest kind of courage that can stand on a tower before ten thousand people and tell them that twice two is four.
All but the hard hearted man must be torn with pity for this pathetic dilemma of the rich man, who has to keep the poor man just stout enough to do the work and just thin enough to have to do it.
Marxism: The theory that all the important things in history are rooted in an economic motive, that history is a science, a science of the search for food.
The only thing that has kept the race of men from the mad extremes of the convent and the pirate-galley, the night-club and the lethal chamber, has been mysticism - the belief that logic is misleading, and that things are not what they seem.
Now there is any amount of this nonsense cropping up among American cranks. Anybody may propose to establish coercive Eugenics; or enforce psychoanalysis that is, enforce confession without absolution.
But those dealing in the actual manufacture of mind are dealing in a very explosive material. The material is not merely the clay of which man is master, but the truths or semblances of truth which have a certain mastery over man. The material is explosive because it must be taken seriously. The men writing books really are throwing bombs.
If the world grows to worldly, it can be rebuked by the Church; but if the Church grows to worldly, it cannot be adequately rebuked for worldlyness by the world.