It never occurred to him to be spiritually won over to the enemy. Many moderns, inured to a weak worship of intellect and force, might have wavered in their allegiance under this oppression of a great personality. . . . But this was a kind of modern meanness to which Syme could not sink even in his extreme morbidity. Like any man, he was coward enough to fear great force; but he was not coward enough to admire it.
The sceptic ultimately undermines democracy (1) because he can see no significance in death and such things of a literal equality; (2) because he introduces different first principles, making debate impossible: and debate is the life of democracy; (3) because the fading of the images of sacred persons leaves a man too prone to be a respecter of earthly persons; (4) because there will be more, not less, respect for human rights if they can be treated as divine rights.
It is not only possible to say a great deal in praise of play; it is really possible to say the highest things in praise of it. It might reasonably be maintained that the true object of all human life is play. Earth is a task garden; heaven is a playground.
There is more to life than increasing its speed. Gandhi gave my life to become the person I am right now. Was it worth it? Richard Bach Life exists for the love of music or beautiful things.
A man looking at a hippopotamus may sometimes be tempted to regard a hippopotamus as an enormous mistake; but he is also bound to confess that a fortunate inferiority prevents him personally from making such mistakes.
A thing may be too sad to be believed or too wicked to be believed or too good to be believed; but it cannot be too absurd to be believed in this planet of frogs and elephants, of crocodiles and cuttle-fish.
When we look upon lives so human and yet so small, we feel as if we ourselves were enlarged to an embarrassing bigness of stature. We feel the same kind of obligation to these creatures that a deity might feel if he had created something that he could not understand.
Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.
My brother, Cecil Edward Chesterton, was born when I was about five years old; and, after a brief pause, began to argue. He continued to argue to the end. I am glad to think that through all those years we never stopped arguing; and we never once quarreled. Perhaps the principal objection to a quarrel is that it interrupts an argument.
The Sentimentalist, roughly speaking, is the man who wants to eat his cake and have it. He has no sense of honor about ideas; he will not see that one must pay for an idea as well as for anything else. He will have them all at once in one wild intellectual harem, no matter how much they quarrel and contradict each other.
The artistic temperament is a disease that afflicts amateurs. It is a disease which arises from men no having sufficient power of expression to utter and get rid of the element of art in their being.
Reason is always a kind of brute force; those who appeal to the head rather than the heart, however pallid and polite, are necessarily men of violence. We speak of 'touching' a man's heart, but we can do nothing to his head but hit it.
The modern habit of saying "This is my opinion, but I may be wrong" is entirely irrational. If I say that it may be wrong, I say that is not my opinion. The modern habit of saying "Every man has a different philosophy; this is my philosophy and it suits me" – the habit of saying this is mere weak-mindedness. A cosmic philosophy is not constructed to fit a man; a cosmic philosophy is constructed to fit a cosmos. A man can no more possess a private religion than he can possess a private sun and moon.