Homer is one of the men of genius who solve that fine problem of art - the finest of all, perhaps - truly to depict humanity by the enlargement of man: that is, to generate the real in the ideal.
Human intelligence discovered a way of perpetuating itself, one not only more durable and more resistant than architecture, but also simpler and easier. Architecture was dethroned. The stone letters of Orpheus gave way to the lead letters of Gutenburg. The book will kill the edifice.
Can human nature ever be wholly and radically transformed? Can the man whom God made good be made wicked by man? Can the soul be reshaped in its entirety by destiny and made evil because destiny is evil? Can the heart become misshapen and afflicted with ugly, incurable deformities under disproportionate misfortune, like a spinal column bent beneath a too low roof?
Men are still men. The despot's wickedness Comes of ill teaching, and of power's excess,-- Comes of the purple he from childhood wears, Slaves would be tyrants if the chance were theirs.
Thought is the work of the intellect, reverie is its self-indulgence. To substitute day-dreaming for thought is to confuse a poison with a source of nourishment.
In Shakespeare the birds sing, the bushes are clothed with green, hearts love, souls suffer, the cloud wanders, it is hot, it is cold, night falls, time passes, forests and multitudes speak, the vast eternal dream hovers over all. Sap and blood, all forms of the multiple reality, actions and ideas, man and humanity, the living and the life, solitudes, cities, religions, diamonds and pearls, dung-hills and charnelhouses, the ebb and flow of beings, the steps of comers and goers, all, all are on Shakespeare and in Shakespeare.