He hesitated till the last moment, but finally dropped them in the box, saying, "I shall win!"--the cry of a gambler, the cry of the great general, the compulsive cry that has ruined more men than it has ever saved.
[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.
A penniless man who has no ties to bind him is master of himself at any rate, but a luckless wretch who is in love no longer belongs to himself, and may not take his own life. Love makes us almost sacred in our own eyes; it is the life of another that we revere within us; then and so begins for us the cruelest trouble of all.
I can no longer think of anything but you. In spite of myself, my imagination carries me to you. I grasp you, I kiss you, I caress you, a thousand of the most amorous caresses take possession of me.
Old maids, having never bent their temper or their lives to other lives and other tempers, as woman's destiny requires, have for the most part a mania for making everything about them bend to them.