He only can create the greatest imaginable beauty who has endured all imaginable pangs, for only when we have seen and foreseen what we dread shall we be rewarded by that dazzling unforeseen wing-footed wanderer.
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,
Troy backed its Helen, Troy died and adored;
Great nations blossom above,
A slave bows down to a slave.
Art bids us touch and taste and hear and see the world, and shrinks from what Blake calls mathematic form, from every abstract form, from all that is of the brain only.
All art that is not mere storytelling, or mere portraiture, is symbolic, and has the purpose of those symbolic talismans which medieval magicians made with complex colours and forms, and bade their patients ponder over daily, and guard with holy secrecy; for it entangles, in complex colours and forms, a part of the Divine Essence.
Through winter-time we call on spring,
And through the spring on summer call,
And when the abounding hedges ring
Declare that winter's best of all:
And after that there's nothing good
Because the spring time has not come-
Not know that what disturbs our blood
Is but its longing for the tomb.
Poetry and music I have banished,
But the stupidity
Of root, shoot, blossom or clay
Makes no demand.
I bend my body to the spade
Or grope with a dirty hand.
A line will take us hours maybe; / Yet if it does not seem a moment's thought, / Our stitching and unstitching has been naught... Better go down upon your marrow-bones / And scrub a kitchen pavement, or break stones... For to articulate sweet sounds together / Is to work harder than all these, and yet / Be thought an idler by the noisy set.
Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enameling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.