Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.
Out-worn heart, in a time out-worn,
Come clear of the nets of wrong and right;
Laugh, heart, again in the grey twilight,
Sigh, heart, again in the dew of the morn.
I know of the leafy paths that the witches take
Who come with their crowns of pearl and their spindles of wool,
And their secret smile, out of the depths of the lake.
But boys and girls, pale from the imagined love
Of solitary beds, knew what they were,
That passion could bring character enough
And pressed at midnighht in some public place
Live lips upon a plummet-measured face.
Come let us mock at the great That had such burdens on the mind And toiled so hard and late To leave some monument behind, Nor thought of the leveling wind.
I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean rows will I have there, a hive for the honey bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight's all a glimmer, and noon a purple glow, And evening full of the linnet's wings.
When I think of all the books I have read, and of the wise words I have heard spoken, and of the anxiety I have given to parents and grandparents, and of the hopes that I have had, all life weighed in the scales of my own life seems to me a preparation for something that never happens.
I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
What can books of men that wive
In a dragon-guarded land,
Paintings of the dolphin-drawn
Sea-nymphs in their pearly wagons
Do, but awake a hope to live...?
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind.
A symbol is indeed the only possible expression of some invisible essence, a transparent lamp about a spiritual flame; while allegory is one of many possible representations of an embodied thing, or familiar principle, and belongs to fancy and not to imagination: the one is a revelation, the other an amusement.
Test every work of intellect or faith, And everything that your own hands have wrought And call those works extravagance of breath That are not suited for such men as come Proud, open-eyed and laughing to the tomb.