Swift has sailed into his rest; Savage indignation there Cannot lacerate his breast Imitate him if you dare, World-besotted traveler; he Served human liberty.
Why should I blame her that she filled my days With misery, or that she would of late Have taught to ignorant men most violent ways, Or hurled the little streets upon the great, Had they but courage equal to desire? What could have made her peaceful with a mind That nobleness made simple as a fire, With beauty like a tightened bow, a kind That is not natural in an age like this Being high and solitary and most stern? Why, what could she have done, being what she is? Was there another Troy for her to burn?
The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.
I would that we were, my beloved, white birds on the foam of the sea!
We tire of the flame of the meteor, before it can fadeand flee;
And the flame of the blue star of twilight, hung low on the rim of the sky,
Has awaked in our hearts, my beloved, a sadness that may not die.
My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
Whence had they come The hand and lash that beat down frigid Rome? What sacred drama through her body heaved When world-transforming Charlemagne was conceived?
What shall I do with this absurdity- O heart, O troubled heart-this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye That more expected the impossible.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind.
Never to have lived is best, ancient writers say. Never to have drawn the breath of life, never to have looked into the eye of day; The second best's a gay goodnight and quickly turn away.
When Walt Whitman writes in seeming defiance of tradition, he needs tradition for his protection, for the butcher and the baker and the candlestick-maker grow merry over him when they meet his work by chance.
When an immortal passion breathes in mortal clay;
Our hearts endure the scourge, the plaited thorns, the way
Crowded with bitter faces, the wounds in palm and side,
The vinegar-heavy sponge, the flowers by Kedron stream.