Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.
For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world.
Rose of all Roses, Rose of all the World!
You, too, have come where the dim tides are hurled.
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Because of something told under the famished horn
Of the hunter's moon, that hung between the night and the day,
To dream of women whose beauty was folded in dismay,
Even in an old story, is a burden not to be borne.
An age is the reversal of an age:
When strangers murdered Emmet, Fitzgerald, Tone,
We lived like men that watch a painted stage.
What matter for the scene, the scene once gone:
It had not touched our lives.