Books and drafts mean something quite different for different thinkers. One collects in a book the lights he was able to steal and carry home swiftly out of the rays of some insight that suddenly dawned on him, while another thinker offers us nothing but shadows - images in black and grey of what had built up in his soul the day before.
Those who know that they are profound strive for clarity. Those who would like to seem profound to the crowd strive for obscurity. For the crowd believes that if it cannot see to the bottom of something it must be profound. It is so timid and dislikes going into the water.
Could one count such dilettantes and old spinsters as that mawkish apostle of virginity, Mainlander, as a genuine German? In the last analysis he probably was a Jew (all Jews become mawkish when they moralize).
So far no one had had enough courage and intelligence to reveal me to my dear Germans. My problems are new, my psychological horizon frighteningly comprehensive, my language bold and clear; there may well be no books written in German which are richer in ideas and more independent than mine.
Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
Industriousness and conscientiousness are often at odds, because industriousness wants to pick the still sour fruit from the tree,while conscientiousness lets it hang there too long, until it falls and bruises.
Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life.
There is a great ladder of religious cruelty, and, of its many rungs, three are the most important. People used to make human sacrifices to their god, perhaps even sacrificing those they loved the best ... Then, during the moral epoch of humanity, people sacrificed the strongest instincts they had, their 'nature,' to their god... Finally: what was left to be sacrificed? ... Didn't people have to sacrifice God himself and worship rocks, stupidity, gravity, fate, or nothingness out of sheer cruelty to themselves?
Artists may here have a more subtle scent: they know only too well that it is precisely when they cease to act 'voluntarily' and do everything of necessity that their feeling of freedom, subtlety, fullness of power, creative placing, disposing, shaping reaches its height - in short, that necessity and 'freedom of will' are then one in them.
A matter that becomes clear ceases to concern us.--What was that god thinking who counseled, "Know thyself!" Did he perhaps mean,"Cease to concern yourself! Become objective!"--And Socrates?--And "scientific men"?
One unconsciously takes it for granted that doer and sufferer think and feel alike, and according to this supposition we measure the guilt of the one by the pain of the other.