Artists may here have a more subtle scent: they know only too well that it is precisely when they cease to act 'voluntarily' and do everything of necessity that their feeling of freedom, subtlety, fullness of power, creative placing, disposing, shaping reaches its height - in short, that necessity and 'freedom of will' are then one in them.
That little hypocrites and half-crazed people dare to imagine that on their account the laws of nature are constantly broken; such an enhancement of every kind of selfishness to infinity, to impudence, cannot be branded with sufficient contempt. And yet Christianity owes its triumph to this pitiable flattery of personal vanity.
Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.
Lust and self-mutilation are closely related impulses. There are also self-mutilators among knowers: they do not want to be creators under any circumstances.
The various languages placed side by side show that with words it is never a question of truth, never a question of adequate expression; otherwise, there would not be so many languages. The 'thing in itself' (which is precisely what the pure truth, apart from any of its consequences, would be) is likewise something quite incomprehensible to the creator of language and something not in the least worth striving for.
Words are but symbols for the relations of things to one another and to us; nowhere do they touch upon absolute truth... Through words and concepts we shall never reach beyond the wall off relations, to some sort of fabulous primal ground of things.
When one has finished building one's house, one suddenly realizes that in the process one has learned something that one really needed to know in the worst way - before one began.