The tragedy is that we cannot believe the dogmas of religion and metaphysics if we have the strict methods of truth in heart and head, but on the other hand, we have become through the development of humanity so tenderly suffering that we need the highest kind of means of salvation and consolation: whence arises the danger that man may bleed to death through the truth that he realises.
Lust and self-mutilation are closely related impulses. There are also self-mutilators among knowers: they do not want to be creators under any circumstances.
Success has always been the greatest liar - and the "work" itself is a success; the great statesman, the conqueror, the discoverer is disguised by his creations, often beyond recognition; the "work," whether of the artist or the philosopher, invents the man who has created it, who is supposed to have create it; "great men," as they are venerated, are subsequent pieces of wretched minor fiction
The states in which we infuse a transfiguration and a fullness into things and poetize about them until they reflect back our fullness and joy in life... three elements principally: sexuality, intoxication and cruelty all belonging to the oldest festal joys.
Thus the will to power strives towards oppositions, towards displeasure. There is a will to suffering at the foundation of all organic life (contrary to "happiness" as "goal").
While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed.