We can understand that the Fathers of the Church in the East wanted Apocalypse left out of the New Testament. But like Judas among the disciples, it was inevitable that it should be included. The Apocalypse is the feet of clay to the grand Christian image. And down crashes the image, on the weakness of these very feet. There is Jesus--but there is also John the Divine. There is Christian love--and there is Christian envy. The former would "save" the world--the latter will never be satisfied till it has destroyed the world. They are two sides of the same medal.
For God’s sake, let us be men not monkeys minding machines or sitting with our tails curled while the machine amuses us, the radio or film or gramophone. Monkeys with a bland grin on our faces.
Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on the
lost bride and her groom.
The picture must all come out of the artist's inside, awareness of forms and figures... It is more than memory. It is the image as it lives in the consciousness, alive like a vision, but unknown.
I have a very great fear of love. It is so personal. Let each bird fly with its own wings, and each fish swim its own course.--Morning brings more than love. And I want to be true to the morning.
I don't like your miserable lonely single front name. It is so limited, so meager; it has no versatility; it is weighted down with the sense of responsibility; it is worn threadbare with much use; it is as bad as having only one jacket and one hat; it is like having only one relation, one blood relation, in the world. Never set a child afloat on the flat sea of life with only one sail to catch the wind.
One must learn to love, and go through a good deal of suffering to get to it, like any knight of the grail, and the journey is always towards the other soul, not away from it. . . . To love you have to learn to understand the other, more than she understands herself, and to submit to her understanding of you. It is damnably difficult and painful, but it is the only thing which endures.
I would like [the working man] to give me back books and newspapers and theories. And I would like to give him back, in return, his old insouciance, and rich, original spontaneity and fullness of life.
Are you willing to be sponged out, erased, cancelled, made nothing? Are you willing to be made nothing? Dipped into oblivion? If not, you will never really change.
Beauty is an experience, nothing else. It is not a fixed pattern or an arrangement of features. It is something felt, a glow or a communicated sense of fineness.
It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if se adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.
... he preferred his own madness, to the regular sanity. He rejoiced in his own madness, he was free. He did not want that old sanity of the world, which was become so repulsive. He rejoiced in the new-found world of his madness. It was so fresh and delicate and so satisfying.