There is no evolving, only unfolding. The lily is in the bit of dust which is its beginning, lily and nothing but lily: and the lily in blossom is a ne plus ultra: there is no evolving beyond.
Why, why are people all balls of bitter dust? Because they won't fall off the tree when they're ripe. They hang on to their old positions when the position is overpast, till they become infested with little worms and dry-rot.
I would like [the working man] to give me back books and newspapers and theories. And I would like to give him back, in return, his old insouciance, and rich, original spontaneity and fullness of life.
We have lost the art of living, and in the most important science of all, the science of daily life, the science of behavior, we are complete ignoramuses. We have psychology instead.
The whole life-effort of man is to get his life into direct contact with the elemental life of the cosmos, mountain life, cloud life, thunder life, air life, earth life, sun life. To come into immediate felt contact, and so derive energy, power and a dark sort of joy. This effort into sheer naked contact, without an intermediary or mediator is the root meaning of religion.
In the short summer night she learned so much. She would have thought a woman would have died of shame... She felt, now, she had come to the real bedrock of her nature, and was essentially shameless. She was her sensual self, naked an unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how onself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.
Mystic equality lies in abstraction, not in having or in doing, which are processes. In function and process, one man, one part, must of necessity be subordinate to another. It is a condition of being.
Sunday night meant, in the dark, wintry, rainy Midlands ... anywhere where two creatures might stand and squeeze together and spoon.... Spooning was a fine art, whereas kissing and cuddling are calf-processes.
Melville had to fight, fight against the existing world, against his own very self. Only he would never quite put the knife in the heart of his paradisal ideal. Somehow, somewhere, somewhen, love should be a fulfillment, and life should be a thing of bliss. That was his fixed ideal. Fata Morgana. That was the pin he tortured himself on, like a pinned-down butterfly.
Life and love are life and love, a bunch of violets is a bunch of violets, and to drag in the idea of a point is to ruin everything. Live and let live, love and let love, flower and fade, and follow the natural curve, which flows on, pointless.
When the emotional soul receives a wounding shock, the soul seems to recover as the body recovers. But this is only in appearance. Slowly, slowly the wound to the soul begins to make itself felt, like a bruise, which only slowly deepens its terrible ache, till it fills all the psyche. And when we think we have recovered and forgotten, it is then that the terrible after-effects have to be encountered at their worst.
After all, the world is not a stage-not to me: nor a theatre: nor a show-house of any sort. And art, especially novels, are not little theatres where the reader sits aloft and watches...and sighs, commiserates, condones and smiles. That's what you want a book to be: because it leaves you so safe and superior, with your two-dollar ticket to the show. And that's what my books are not and never will be...Whoever reads me will be in the thick of the scrimmage, and if he doesn't like it if he wants a safe seat in the audience-let him read someone else.