I agree with Balzac and 19th-century writers, black and white, who say, 'I write for money.' Yes, I think everybody should be paid handsomely; I insist on it, and I pay people who work for me, or with me, handsomely.
If you have a person enslaved, the first thing you must do is to convince yourself that the person is subhuman. And won't mind the enslavement. The second thing you must do is convince your allies that the person is subhuman so that you have some support. But the third and the unkindest cut of all is to convince that person that he, she, is not quite a first class citizen.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
I do like to have guns around. I don't like to carry them. But I like - if somebody is going to come into my house and I have not put out the welcome mat, I want to stop them.
When we cast our bread upon the waters we can presume that someone downstream whose face we will never know will benefit from our action, as we who are downstream from another will profit from the grantor's gift.
We agreed that great men and women should be forced to live as long as possible. The reverence they enjoyed was a life sentence, which they could neither revoke nor modify.