An echo is a good way to describe the photogram, which is a visual echo of the real object. That's why I like to work with the photogram, because the contact with what is represented is actual. It's as if the border between the world and the print is osmotic.
The Kosovo campaign was a just and necessary war. And I believe that Blair - of whom I have many criticisms - in this case showed real determination in conducting it.
There's been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I'm speaking of those who have institutional power over what gets published, over grants andprizes and reviewing. Most of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.
The real truth is that [Harriet Tubman ] spirit is so powerful that it consumes you. I was literally reduced to basic breath and blinks while she inhabited my vessel and told her story through me.
The value of any commodity, therefore, to the person who possesses it, and who means not to use or consume it himself, but to exchange it for other commodities, is equal to the quantity of labour which it enables him to purchase or command. Labour, therefore, is the real measure of the exchangeable value of all commodities. The real price of everything, what everything really costs to the man who wants to acquire it, is the toil and trouble of acquiring it.
We have a largely materialistic lifestyle characterized by a materialistic culture. However, this only provides us with temporary, sensory satisfaction, whereas long-term satisfaction is based not on the senses but on the mind. That’s where real tranquility is to be found. And peace of mind turns out to be a significant factor in our physical health too.
Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
We all have a thirst for wonder. It's a deeply human quality. Science and religion are both bound up with it. What I'm saying is, you don't have to make stories up, you don't have to exaggerate. There's wonder and awe enough in the real world. Nature's a lot better at inventing wonders than we are.
The Muslim world, with its history and cultures, and indeed its different interpretations of Islam, is still little known in the West. The two worlds, Muslim and non-Muslim, Eastern and Western, must, as a matter of urgency, make a real effort to get to know one another, for I fear that what we have is not a clash of civilisations, but a clash of ignorance on both sides.
I think the way you can tell if a guy and girl are in a serious relationship is whether or not they have black and white pictures of themselves together. That's the real test. Because it takes effort to get nice black and white photos. If you've gone that far, there's no turning back.
Every improvement that is put upon the real estate is the result of an idea in somebody's head. The skyscraper is another idea; the railroad is another; the telephone and all those things are merely symbols which represent ideas. An andiron, a wash-tub, is the result of an idea that did not exist before.
The artist draws a picture of a rose very nicely with all attention and artistic sense, and yet it does not become as perfect as the real rose. If that is the real fact, how can we say that the real rose has taken its shape without Intelligence behind the beauty?