Yet truth will sometimes lend her noblest fires, And decorate the verse herself inspires: This fact, in virtue's name, let Crabbe attest,- Though Nature's sternest painter, yet the best.
Yonder cloud That rises upward always higher, And onward drags a laboring breast, And topples round the dreary west, A looming bastion fringed with fire.
These violent delights have violent ends And in their triumph die, like fire and powder, Which as they kiss consume. The sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite. Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow.
Salamander: Originally a reptile inhabiting fire; later, an anthropomorphous immortal, but still a pyrophile. Salamanders are now believed to be extinct, the last one of which we have an account having been seen in Carcassonne by the Abbe Belloc, who exorcised it with a bucket of holy water.
A most burning question of time, though. It burns in every nook and cranny of the ethnological world, burning, bright, brightly, in the fullest blaze, and it burns all around, huge fire! and no one lifts a hand.
Falsehood is fire in stubble; it likewise turns all the light stuff around it into its own substance for a moment, one crackling blazing moment, and then dies; and all its converts are scattered in the wind, without place or evidence of their existence, as viewless as the wind which scatters them.
From moment then to moment their desire Gained strength, and wisdom fled before love's fire; Passion engulfed them, and these lovers lay Entwined together till the break of day.
The wind sounds like a silver wire, And from beyond the noon a fire Is pour'd upon the hills, and nigher The skies stoop down in their desire; And, isled in sudden seas of light, My heart, pierced thro' with fierce delight, Bursts into blossom in his sight.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.