And of poetry, the success is not attained when it lulls and satisfies, but when it astonishes and fires us with new endeavours after the unattainable.
So do the dark in soul expire, Or live like scorpion girt by fire; So writhes the mind remorse hath riven, Unfit for earth, undoom'd for heaven, Darkness above, despair beneath, Around it flame, within it death.
Like sheaves of corn it gathers you unto itself. It threshes you to make you naked. It sifts you to free you from your husks. It grinds you to whiteness. It kneads you until you are pliant. And then it assigns you to its sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's Heart.
Softly the evening came. The sun from the western horizon Like a magician extended his golden want o'er the landscape; Trinkling vapors arose; and sky and water and forest Seemed all on fire at the touch, and melted and mingled together.
The South-wind brings Life, sunshine and desire, And on every mount and meadow Breathes aromatic fire; But over the dead he has no power, The lost, the lost, he cannot restore; And, looking over the hills, I mourn The darling who shall not return.
And new Philosophy calls all in doubt, the element of fire is quite put out; the Sun is lost, and the earth, and no mans wit can well direct him where to look for it.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
So do the dark in soul expire, Or live like scorpion girt by fire; So writhes the mind remorse hath riven, Unfit for earth, undoom'd for heaven, Darkness above, despair beneath, Around it flame, within it death.
O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene!
Disastrous would have been the result if a fire or a death had suddenly demanded something heroic of human nature, but tragedies come in the hungry hours.
I'm sure that Nero didn't set fire to Rome. It was the Christian-Bolsheviks who did that, just as the Commune set fire to Paris in 1871 and the Communists set fire to the Reichstag in 1932.