I think I tend to destroy the better paintings, or those that have been better to a certain extent. I try and take them further, and they lose all their qualities, and they lose everything. I think I would say that I destroy all the better paintings.
That's a big part of my life - doing things that I'm not prepared to do. Doing things that I don't know how to do, and keep doing them until I get good at them. I always try to put myself out of my comfort zone and out of my depth, and hopefully somewhere along the line I'll catch up.
A nation which does not remember what it was yesterday, does not know what it is today, nor what it is trying to do. We are trying to do a futile thing if we do not know where we came from or what we have been about.
I'm sure something will pop into my head here in the midst of this press conference, with all the pressure of trying to come up with an answer, but it hadn't yet.
Each atom is trying to fly off from its centre. In the internal world, each thought is trying to go beyond control. Again each particle in the external world is checked by another force, the centripetal, and drawn towards the centre. Similarly in the thought - world the controlling power is checking all these outgoing desires.
I feel it's my duty as a human being, as a person who is trying - like everybody else who thinks about the state of the world - to enhance the importance of multicultural connection.
I tried documentaries.It wasn't the time for me. I was going to try to do the same thing, I did make a valiant attempt but it did not work - to do the same thing with documentaries that we had done with the book club [in 2011]. The zeitgeist wasn't ready. It just wasn't ready.
It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.