I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God. . . . So the darkness shall be the light, and the stillness the dancing.
However much I may be impressed by the difference between a star and the dark space around it, I must not forget that I can see the two only in relation to each other, and that this relation is inseparable.
Still, being fragile creatures, humans always try to hide from themselves the certainty that they will die. They do not see that it is death itself that motivates them to do the best things in their lives. They are afraid to step into the dark, afraid of the unknown, and their only way of conquering that fear is to ignore the fact that their days are numbered. They do not see that with an awareness of death, they would be able to be even more daring, to go much further in their daily conquests, because then they would have nothing to lose- for death itself is inevitable.
Man is better without knowledge of things to come, for what is to be will be, and man can neither avert nor hasten. It is better to go in the dark when the road must pass a lion and there is no other road.
Indeed I do not think we should be justified in using any but the more sombre tones and colours while our people, our Empire, and indeed the whole English-speaking world are passing through a dark and deadly valley.
When we reverence anything in the mature, it is their virtues or their wisdom, and this is an easy matter. But we reverence the faults and follies of children. We should probably come considerably nearer to the true conception of things if we treated all grown-up persons, of all titles and types, with precisely that dark affection and dazed respect with which we treat the infantile limitations.
The Master keeps her mind always at one with the Tao; that is what gives her her radiance. The Tao is ungraspable. How can her mind be at one with it? Because she doesn't cling to ideas. The Tao is dark and unfathomable. How can it make her radiant? Because she lets it. Since before time and space were, the Tao is. It is beyond is and is not. How do I know this is true? I look inside myself and see.
What in me is dark Illumine, what is low raise and support, That to the height of this great argument I may assert eternal Providence, And justify the ways of God to men. 1 Paradise Lost. Book i. Line 22.
Marius and Cosette were in the dark in regard to each other. They did not speak, they did not bow, they were not acquainted; they saw each other; and, like the stars in the sky separated by millions of leagues, they lived by gazing upon each other.
So . . . I feel in regard to this aged England . . . pressed upon by transitions of trade and . . . competing populations,-I see her not dispirited, not weak, but well remembering that she has seen dark days before;-indeed, with a kind of instinct that she sees a little better in a cloudy day, and that, in storm of battle and calamity, she has a secret vigor and a pulse like a cannon.