I have thought many times since that if poets when they get discouraged would blow their brains out, they could write very much better when they got well.
When we recorded [Moana], I would do all of the stuff and then save all the big screaming for last so that you can really blow it out and ratchet it up every time, get that perfect panicked pitch.
All work is simply to bring out the power of the mind which is already there, to wake up the soul. The power is inside every man, so is knowing; the different works are like blows to bring them out, to cause these giants to wake up.
And writers say, as the most forward bud
Is eaten by the canker ere it blow,
Even so by love the young and tender wit
Is turn'd to folly, blasting in the bud,
Losing his verdure even in the prime,
And all the fair effects of future hopes.
When heaven doth weep, doth not the earth o'erflow? If the winds rage, doth not the sea wax mad, Threatening the welkin with his big-swoln face? And wilt thou have a reason for this coil? I am the sea; hark, how her sighs do blow! She is the weeping welkin, I the earth: Then must my sea be moved with her sighs; Then must my earth with her continual tears Become a deluge, overflow'd and drown'd: For why my bowels cannot hide her woes, But like a drunkard must I vomit them. Then give me leave, for losers will have leave To ease their stomachs with their bitter tongues.
The best ammunition against lies is the truth, there is no ammunition against gossip. It is like a fog and the clear wind blows it away and the sun burns it off.
Here feel we but the penalty of Adam,
The seasons' difference, as the icy fang
And churlish chiding of the winter's wind,
Which, when it bites and blows upon my body,
Even till I shrink with cold, I smile.