Why had we come to the moon? The thing presented itself to me as a perplexing problem. What is this spirit in man that urges him for ever to depart from happiness and security, to toil, to place himself in danger, to risk an even a reasonable certainty of death? It dawned upon me that there in the moon as a thing I ought always to have known, that man is not made to go about safe and comfortable and well fed and amused. ... against his interest, against his happiness, he is constantly being driven to do unreasonable things. Some force not himself impels him, and he must go.
It is the dissenter, the theorist, the aspirant, who is quitting this ancient domain to embark on seas of adventure, who engages our interest. Omitting then for the present all notice of the stationary class, we shall find that the movement party divides itself into two classes, the actors, and the students.
Life is perpetually creative because it contains in itself that surplus which ever overflows the boundaries of the immediate time and space, restlessly pursuing its adventure of expression in the varied forms of self-realization.
If you would stick to the concrete, and put your discoveries in the form of entertaining anecdotes about your adventures with women, your conversation would be easier to follow.
The supreme adventure is being born. There we do walk suddenly into a splendid and startling trap... When we step into the family, by the act of being born, we do step into a world which is incalculable, into a world which has its own strange laws, into a world which could do without us, into a world we have not made. In other words, when we step into the family we step into a fairy-tale.
The German intellect wants the French sprightliness, the fine practical understanding of the English, and the American adventure; but it has a certain probity, which never rests in a superficial performance, but asks steadily, To what end? A German public asks for a controlling sincerity.
The end he had been born to serve yet did not see had led him to escape by an unseen path and now it beckoned to him once more and a new adventure was about to be opened to him.
It was a very interesting challenge [Heihei role] because he's limited to rooster-y, chicken-type noises, and he goes along on the whole adventure. It just becomes, "If that's how you express yourself, go for it.
We are to regard existence as a raid or great adventure; it is to be judged, therefore, not by what calamities it encounters, but by what flag it follows and what high town it assaults. The most dangerous thing in the world is to be alive; one is always in danger of one's life. But anyone who shrinks from that is a traitor to the great scheme and experiment of being.
Interestingly, it's as though the gospel story of Jesus is the archetypal heroic journey, the embodiment of the very adventure that all people in every epoch have desired.