But at a time when our discourse has become so sharply polarized - at a time when we are far too eager to lay the blame for all that ails the world at the feet of those who think differently than we do - it's important for us to pause for a moment and make sure that we are talking with each other in a way that heals, not a way that wounds.
I am bored with gabbers and their gab; my soul abhors them. . . . Is there any place where there is no traffic in empty talk? Is there on this earth one who does not worship himself talking?
We were still able to see the phone records of a potential terrorist cause, we held them, now you have to hope the phone company still has them, you have to argue with their chief counsel by the time you get access to it, and try to find out who they've been talking to before it's too late.
What we shouldn't be doing is trying to take away your rights to bargain for better wages or working conditions... These so-called "right to work" laws, they don't have to do with economics; they have everything to do with politics. What they're really talking about is giving you the right to work for less money.
We see many persons talking the most wonderfully fine things about charity and about equality and the rights of other people and all that, but it is only in theory. I was so fortunate as to find one who was able to carry theory into practice. He had the most wonderful faculty of carrying everything into practice which he thought was right.
MALTHUSIAN, adj. Pertaining to Malthus and his doctrines, who believed in artificially limiting population, but found that it could not be done by talking. Herod of Judea, all the famous soldiers have been practical exponents of the Malthusian idea.
I know the American people. I've met a lot of them. I've met a lot more of them than any columnist has, or any talking head on TV has. And they're pretty sophisticated.
When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.