Sentimentalists ... adopt whatever merit is in good repute, and almost make it hateful with their praise. The warmer their expressions, the colder we feel.... Cure the drunkard, heal the insane, mollify the homicide, civilize the Pawnee, but what lessons can be devised for the debauchee of sentiment?
Now, you receive all your ideas; therefore you receive your wish, you wish therefore necessarily. The word "liberty" does not therefore belong in any way to your will....The will, therefore, is not a faculty that one can call free. A free will is an expression absolutely void of sense, and what the scholastics have called will of indifference, that is to say willing without cause, is a chimera unworthy of being combated.
All manners of freedom, including freedom of expression, freedom of conscious, freedom of thought...it accepts tolerance. But it is not an atheist society. Religion is the private affair of an individual...be present in the public domain, but state has to be clearly separated from religion. When I'm speaking, I'm speaking only for myself. At the same time, I know that these ideas have wide support among the Iranian population.
Bad User on Device is a medium that can dynamically simulate the details of any other medium, including media that cannot exist physically. It is not a tool, although it can act like many tools. It is the first metamedium, and as such it has degrees of freedom for representation and expression never before encountered and as yet barely investigated.
Almost every cartoonist, when he's sitting down to draw a funny face, if you watch him closely, his mouth is gonna curl to the expression that he's drawing. But when I would write a story - I know it's going to sound almost ridiculous and infantile - I would, in a way, start living it.
Power, from the standpoint of experience, is merely the relation that exists between the expression of someone's will and the execution of that will by others.
Pretty conceptions, fine metaphors, glittering expressions, and something of a neat cast of verse are properly the dress, gems, or loose ornaments of poetry.
The marriage tie becomes possessed of a history and takes to itself traditions. This history and these traditions form a great fund, to which changing conditions and growing imagination constantly add. And the traditions, more especially, bear heavily upon the individual, overmastering his natural expression of the love instinct and forcing him to an artificial expression of that love instinct. He loves, not as his savage forbears loved, but as his group loves.
Laughter is equally the expression of extreme anguish and horror as of joy: as there are tears of sorrow and tears of joy, so is there a laugh of terror and a laugh of merriment.
In times of violence, personal predilections for niceties of colour and form seem irrelevant. All primitive expression (like the myths) reveals the constant awareness of powerful forces, the immediate presence of terror and fear.
Silence accompanies the most significant expressions of happiness and unhappiness: those in love understand one another best when silent, while the most heated and impassioned speech at a graveside touches only outsiders, but seems cold and inconsequential to the widow and children of the deceased.