I have a passion for ballad. . . . They are the gypsy children of song, born under green hedgerows in the leafy lanes and bypaths of literature,--in the genial Summertime.
Who is the best rapper ever? I'll probably have to say Eminem. I would definitely say Eminem. He came from a whole another culture, literally. Mastered it, outsold everybody and he did every kind of record imaginable. He could take any topic and make a song out of it. I haven't seen any artist do that yet.
Sometimes with one I love, I fill myself with rage, for fear I effuse unreturn'd love; But now I think there is no unreturn'd love—the pay is certain, one way or another; (I loved a certain person ardently, and my love was not return'd; Yet out of that, I have written these songs.)
When loud by landside streamlets gush,
And clear in the greenwood quires the thrush,
With sun on the meadows
And songs in the shadows
Comes again to me
The gift of the tongues of the lea,
The gift of the tongues of meadows.
So when the earth is alive with gods,
And the lusty ploughman breaks the sod,
And the grass sings in the meadows,
And the flowers smile in the shadows,
Sits my heart at ease,
Hearing the song of the leas,
Singing the songs of the meadows.
I'm like the opposite of one of those comedians who's funny on stage and depressed behind closed doors . On record, I can get pretty dark, but in real life I'm very carefree. But when I'm happy, I ain't writing songs, I'm out having a laugh, being in love. I wouldn't have the time. If I ever get married, it'll be 'Darling, I need a divorce, it's been three years, I've got a record to write!'
If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song."
The city sleeps and the country sleeps, the living sleep for their time, the dead sleep for their time, the old husband sleeps by his wife and the young husband sleeps by his wife; and these tend inward to me, and I tend outward to them, and such as it is to be of these more or less I am, and of these one and all I weave the song of myself.
I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.
The place that I worked I used to joke about it. There was a, every morning at 10:30 I'd come into work and I'd go into this cubicle that had a little upright piano and fake white cork bricks on the wall, and a little slate that came out of the wall that you could actually write on. And a door that locked from the outside. Every day from 10 to 6, we'd go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
The Pilgrim of Eternity, whose fame Over his living head like heaven is bent, An early but enduring monument, Came, veiling all the lightnings of his song In sorrow.
I doubt I'll be singing forever, because at some point people aren't going to want to hear my music, and I hope that I'll still get the opportunity to write songs.
I think the most important thing about dance music is the connection. If you put 80,000 people together, no one knows each other, and once the music starts, everyone loves each other. That doesn't happen with a lot of genres. If you go to a hip-hop club, it's not like when one songs comes on that everyone suddenly loves each other.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.